INTIATE SHIFT
point man the shift of the black in now in progress.
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The act of rendering Blackness is on the body and the land, is prototyped with in a museum through the performance of mapping the characteristic of black, as drawn in Apartheid legislator, to evidence the hauntings of the colonial gaze, that transfers of agency of blackness. Prompted by the writings of Achille Mbembe Necro politics, where he argues, to include not only individuals experiencing death, but also experiences social or political death.
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The rupture of the surface of black. As coloniality cracks the surface of black through how it is framed. Creating discrepancies between the looter and looted. By overlaying the poem on the photogram images that rupture the surface of the original narrative.
Aftershock
This prototype Evidences the forces that trigger the fault line in terrain that assist in rendering the Black surface as illegal through divergence, the tectonic boundary of separation, for spreading ridges on a territory.
INTIATE SHIFT
point man the shift of the black in now in progress.
​
The act of rendering Blackness is on the body and the land, is prototyped with in a museum through the performance of mapping the characteristic of black, as drawn in Apartheid legislator, to evidence the hauntings of the colonial gaze, that transfers of agency of blackness. Prompted by the writings of Achille Mbembe Necro politics, where he argues, to include not only individuals experiencing death, but also experiences social or political death.
​
The rupture of the surface of black. As coloniality cracks the surface of black through how it is framed. Creating discrepancies between the looter and looted. By overlaying the poem on the photogram images that rupture the surface of the original narrative.
Aftershock
This prototype Evidences the forces that trigger the fault line in terrain that assist in rendering the Black surface as illegal through divergence, the tectonic boundary of separation, for spreading ridges on a territory.
RULE 4: plan and rehearse
STEP 3
The Point man
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Your characteristic of BLACK will be used to shadower the subject. In order to develop shift creating methodologies. Using these tactics, you will be required to rupture the surface of the BLACK, through the shadowing the act of pigmenting in...
Detect the rate in which Black is applied (pigment study)
act 2: Jan VAn Riebeecks ordination
Coffee and Water
Carbon black was usually found in the form of soot obtained from charred bones or wood, or charcoal from the wood itself, which could be used for drawing. Pigments are the raw materials of painting and art. They are insoluble particles that impart color and some degree of hiding power over the surface to which they are applied.
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Using water, the tactic of tracing damage on the body through pigmentation, you will shadow the subjects( Jan Van Riebeeck) to learn the displacement type on the surface of BLACK BODY.
scene 1
Classify
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The Population Registration Act, Act No 30 of 1950
The aim of the act was that South Africans be racially classified in one of three categories: White, Black or Coloured.
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Prototype sequence:
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1. Increase temperature of the water (boil)
2. add thinking agent (gelatin)
3. Pour organic pigment (coffee)
4. Record (video)​
Site of the earthquake of the black
Location: The molecule
scene 2
Qualify
The Population Registration Act, Act No 30 of 1950
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The criteria used to determine the qualification into each of these categories was based on appearance, social acceptance and descent.
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Prototype sequence:
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1. Monitor behaviour of gelatin mould
2. assess and document the rate of change
3. To have identification markers for the black
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Site of the earthquake of the black
Location: The molecule
Earthquake type: divergent
tactic for new surface creation
black land trauma and damage shadowed